This paper explores whether the human use of technology, either as a practical tool or a cultural tool, can make cultural globalization humanistic globalization.

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This paper proposes Hong Kong films make use of globalization to cope with the political, social and economic changes the city has gone through rapidly in the last two decades.

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This paper explores how images of China and the West in contemporary transnational Chinese films reflect globalization of culture and values. Behind an assumed cultural binarism are universal cross-cultural efforts.

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In view of the massive cross-cultural encounters between China and the world, this paper traces literary meetings over the last one half century to discover the challenges of cultural inclusiveness.

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This paper explores inclusive cross-cultural exchanges facilitated by cultural globalization, through looking at contemporary Hong Kong war films. These films affirm cultural inclusivity with the protagonists empowered by cross-cultural exchanges.

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This paper describes how interactive inclusive cross-cultural encounters are facilitated in our two online projects: the Virtual Museum of Asian Canadian Cultural Heritage (VMACCH) and the SAGITTARIUS-ORION Project.

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